How Hans Zimmer Creates Sound Worlds

Explanation, with many examples, of how Hans Zimmer creates Sound Worlds for his movies. 🎁 FREE Accelerate your ear training, sight reading, and musicianship skills with this free mini-course: https://www.insidethescore.com/fast-track Your journey towards musical mastery begins here... 🛤️ 🎻 Where to Start with Classical Music? - https://www.insidethescore.com/14-pieces 🎼 The Training Ground for Next-Level Musicianship - https://www.insidethescore.com/musicality 🎹 Learn the Art and Craft of Composing, and Develop Your Unique Musical Voice - https://www.insidethescore.com/composer 💖 Support this Channel - https://www.patreon.com/insidethescore 💬 Join the Discord - https://discord.gg/HSZYJXD5Cj This video essay looks at examples from Gladiator, The Dark Knight, The Dark Knight Rises, Sherlock Holmes, Inception, Interstellar, and Dunkirk to show how Hans Zimmer goes about creating unique sound worlds in his most popular soundtracks. Unlike composers of the last century such as John Williams, Danny Elfman, or Jerry Goldsmith, Hans Zimmer is as much a Sound Designer, or Music Producer, as he is a traditional composer. This very much changes the way film composing is done, and changes what it means to be a film composer. This video will look deeper into the Making of various films, and particularly those movies Hans worked on in tandem with Christopher Nolan. Remember to Subscribe if you enjoyed this, and let me know what you might like to see next!