studio ghibli: how clothing shapes identity

The first 1000 people to click the link will get a one month trial of Skillshare: https://skl.sh/minale02211 PODCAST Spotify: https://open.spotify.com/show/3wvGhhd3yGEJhak11myA5N Apple Podcasts: https://podcasts.apple.com/us/podcast/high-brow/id1677209917 for extra content every Wednesday 😈 THE BROTHEL THEORY: https://sites.psu.edu/angelapassion/2016/07/02/spirited-away/ ✦ Donate: https://ko-fi.com/minale ✦ Instagram: http://instagram.com/gremlita ✦ TikTok: https://www.tiktok.com/@gremlita ✦ Letterboxd: http://boxd.it/7YgX intro 00:00 princess mononoke 3:34 spirited away 14:52 outro 27:37 Notable References: Confronting Master Narratives: History as Vision in Miyazaki Hayao's Cinema of De-assurance by Susan Napier Anime from Akira to Princess Mononoke: Experiencing Contemporary Japanese Animation by Susan Napier Matter out of Place: Carnival, Containment, and Cultural Recovery in Miyazaki's "Spirited Away" by Susan Napier Miyazakiworld: A Life in Art by Susan Napier Princess Mononoke: Another Nihonjinron? by Kozy K. Amemiya “Hayao Miyazaki’s World," edited by Bobby Recinos and Hiroshi Kudo The Global Markets for Anime: Miyazaki Hayao’s Spirited Away (2001) by Rayna Denison Heart of Japaneseness: History and Nostalgia in Hayao Miyazaki’s Spirited Away by Shiro Yoshioka Miyazaki Hayao’s Spirited Away, or, the Adventure of the Obliques by Michael Lucken "Spirited Away": Film of the Fantastic and Evolving Japanese Folk Symbols by Noriko T. Reider Princess Mononoke: A Game Changer by Shiro Yoshioka Deer Gods, Nativism and History: Mythical and Archaeological Layers in Princess Mononoke by Eija Niskanen Spirit Princess and Snow Queen: The Soviet Roots of Princess Mononoke by Julia Alekseyeva In search of Shirabyōshi by Ami Skånberg Dahlstedt Shinto Perspectives in Miyazaki's Anime Film "Spirited Away" by James W. Boyd and Tetsuya Nishimura Shadows of Transgression: Heian and Kamakura Constructions of Prostitution by Janet R. Goodwin Nō Drama Costumes and Other Japanese Costumes in the Art Institute of Chicago by Mary V. Hays and Ralph E. Hays